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LUKE: All right, welcome back to the show. My name is Luke. I'm your host

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for Luke at the Roost. This is the radio show where we take callers and

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give them the best advice that we can. If you'd like to call into the

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show, the number is 208-439-5853. That's 208-439 Luke. Also, new just yesterday. If you can't

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get to a phone and you'd like to participate in the show, you can send

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us an email. The address is submissions at Lukeat the roost.com. Submissions at Luke at

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theroost.com. So you can send us a question or a story or anything you want.

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And if it's funny enough, I might read it on the air in the next

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show. And if it's not me, maybe I'll have one of my robot friends read

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it for me because I'm lazy. All right. So today is Monday, February 16th. It's

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about 11.30 p.m. And our phones are lighting up like they always do at this

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time of night. the show, we have Hector. Hector, welcome to the show. Thanks for

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calling in. How are you doing out there tonight?

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HECTOR: Hey, Luke. Doing all right, man. Doing all right. Appreciate you taking the call.

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So listen. I got myself into a situation here, and I don't know whether to

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laugh or start updating my resume.

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LUKE: All right, Hector. What did you do?

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HECTOR: So I've been flying crop dusters out of Yuma for eight years now, right?

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Good job. Decent money? I know what I'm doing up there. This afternoon, my boss

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pulls me aside. All smiles tells me I landed this huge contract in Mexico City.

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Three weeks coordinated with agricultural officials. Big deal for the company.

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LUKE: Is that something you don't want to do? Why you bummed out about that?

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That sounds great.

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HECTOR: No, no, that's the thing. It should be great, right? This is a promotion,

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basically. More money, more responsibility. Looks amazing on paper. Here's the problem, Luke. hired me

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eight years ago partly because my last name is Gonzales and my resume says fluent

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Spanish I speak about as much Spanish as you probably do maybe less

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LUKE: I'm gonna let you in on a little secret I think they knew they

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probably had strong suspicions at the time they hired you that you did not speak

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Spanish but that's okay because nowadays you don't have to you can get the Apple

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AirPods and they'll do the live translation for you right in your ear

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HECTOR: Oh man, I didn't even think about that. Does that actually work, though? Like

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in a real professional setting? Because I'm picturing myself in some meeting with Mexican agriculture

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officials, trying to negotiate pesticide schedules, while I'm sitting there with AirPods and like I'm

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listening to a podcast.

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LUKE: You know, I went into Mexico last year at some point. I went to

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Agua Brietta. And when I got there, I was trying to buy cigarettes from the

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duty-free shop on the United States side of the border. So they don't just give

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you the cigarettes. You buy the cigarettes in the United States, and then you have

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to cross the border, and some guy is supposed to bring you the cigarettes, and

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then you have to import them back into the United States. So I went out

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there, and I was in Mexico, and I couldn't find the guy with the cigarettes.

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So I'm asking all around, and there's a bunch of, like, their version of Border

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Patrol at the border, and they didn't speak any English or pretended not to speak

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any English, and they pulled out their phone, and they just did the whole back-and-forth

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transcription, like it was nothing. Like, they do that all the time. So I think

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it's pretty common. I wouldn't worry too much about it. But you can always start

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studying. I mean, it's not like you can't learn Spanish.

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HECTOR: Yeah, I mean, three weeks, though. I've been downloading Duolingo on and off for

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like two years, and I still can't get past the boy eats an apple. And

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here's the other thing that's dealing at me. I've been cashing paychecks for eight years

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with that my resume like they never needed me to speak Spanish before so it

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never mattered but now it does and I feel like a fraud

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LUKE: well you are a fraud you lied on your resume and you got away

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with it for eight years so congratulations for that but it sounds like it's probably

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pretty difficult to find somebody qualified to fly crop dusting plane that they trust in

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another country and they trust you so you just got to do the best you

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can and try to work through the Spanish you know Three weeks, that's quick, but

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you can do it. I mean, dual lingo is probably not the right way, but

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there's lots of other ways to learn language, and if you really need to, if

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you really have to, you could get at least a little bit of what you

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need. It shouldn't take you long to ramp up.

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HECTOR: You're right, you're right. I mean, I've been hearing Spanish on the radio stations

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down here for years. I should at least have some baseline. And honestly, the flying

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part I can do in my sleep, what's got me twisted up.

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LUKE: Just throw yourself on a Selena record, get some bitty bitty bum bomb going,

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and you're gonna be fine. Amherst yourself in Spanish, and you will pick it up

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faster than you think, because you have to.

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HECTOR: Okay, Selina, I can actually handle. My mom used to play that stuff all

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the time when I was a kid.

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LUKE: You can't handle Selena. Wait, does that make it worse, that I didn't pick

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up Spanish?

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HECTOR: She's probably going to lose it when I tell her about this. She's been

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asking me for years why I don't speak it and I always just shrugged it

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off.

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LUKE: Well, your name is Hector Gonzales, so I mean I would expect at this

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point in your life you probably would have picked up a little bit here and

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there.

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HECTOR: That's what kills me, Luke. Everyone just assumes. I walk into a place, they

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see the name tag, and half the time someone starts talking to me in Spanish,

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and I just stand there like a deer in headlights. I've gotten really good at

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the apologetic smile and the sorry I don't speak it. But my dad's of the

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family, they all came over generations ago. By the time it got to me, it

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was just gone.

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LUKE: Hey, well, congratulations on the new job. Do the best you can. And if

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they have to send you back to the States to do your old job again,

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then so be it. And if they fire you for lying on your resume, then

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get another job. There's probably plenty of places you can commercially fly a plane.

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HECTOR: Yeah, you know what? You're right. Worst case scenario, I'm back flying over lettuce

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fields and Yuma, which honestly isn't the worst thing in the world. I do love

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that job.

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LUKE: Well, good luck to you and congratulations again. Thanks for calling in, Hector, and

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give us a call back if anything goes wrong or you meet a crazy cartel

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out there and you've got a story about redemption. Next up on the line we

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have Marlene. Marlene, welcome to the show. What's going on in your life tonight? How

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can we help?

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MARLENE: Hey, Luke. Yeah. So, My ex-wife's new husband just ordered $12,000 worth of furniture

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for me, and I don't know if he knows it's me or not, and I'm

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losing my mind a little bit. Sorry, that came out fast. But yeah, that's what's

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happening right now.

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LUKE: Well, you know, all the places in the world you could buy furniture from,

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if he's buying it from you, then there's a good chance he has an idea

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of who you are. Right?

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MARLENE: That's what I keep thinking. the company's called Desert Reclaim and my name's all

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over the website. But then I'm like, maybe he just Googled Rustic Dining Tables, New

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Mexico. And I came up and he has no clue. He's this tech guy from

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Scottsdale, you know?

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LUKE: Yeah, well, I mean, you got to think about how internet search works and

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cookies and stuff like that. So there's probably a chance that she was looking at

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your Facebook profile and somewhere you're linked to your business profile on LinkedIn or something

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like that. And then that's a chance that's transferring to his phone, so when he

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does a Google search, it's looking at all that data it's collected on you, and

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saying he's most likely to buy his chairs from this woman.

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MARLENE: Oh, God, I didn't even think about that. So, like, Rachel's been looking at

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my stuff and it's bleeding over into his search results. That's, actually, that makes me

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feel weird in a whole different way.

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LUKE: Like, has she been checking up on me? Well, I don't know. I'm just

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saying that's one possibility. That is how search works nowadays. So there's a likelihood that

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that could have happened. And not necessarily like Googling you in the middle of the

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night, but there could be documents on our computer that are getting fed into the

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cloud for some PDF transcription service. Like, you don't know. All that you know is

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the data is out there and you're linked to him now in a not a

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cryptographic way, but in a digital way. And that link is obviously working.

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MARLENE: Yeah. No, you're right. I mean, we were married for six years. probably all

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kinds of digital trails still connecting us. But, okay, so whether he knows or not,

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do I take the money?

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LUKE: Yes! Luke, this is six months of my mortgage. This order would let me

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actually breathe for the first time since I started this business.

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MARLENE: But then I think about Rachel walking into one of those hotel lobbies and

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seeing my tables, the ones I built with wood from that barn outside animas, and

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I just...

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LUKE: Not your problem. Take the money. Congratulations. That's a good hit. That's what we

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call us in the business. So close that deal, take your cash, and enjoy the

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win. And thank modern technology.

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MARLENE: You really think so? Just take it and don't say anything? Because part of

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me wants to email him and be like, Hey, just so you know, I used

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to be married to your wife. Is that insane? That's insane, right?

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LUKE: You are correct. That is insane. Yeah, don't do that. Take the money and

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don't say a word. And who cares if she looks at York when she goes

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to wherever it is, she goes where they put your furniture.

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MARLENE: Okay. Yeah. You're right. I mean, she left me. She married him. I'm building

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furniture in my garage at two in the morning. This is literally the one good

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thing that's happened.

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LUKE: Nah, she got to be with somebody she wants to be with. You get

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to make maybe potentially the best work of your life. And you just got a

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nice paycheck. So it sounds like there's lots of good things happening. And all around,

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everything works out the way it's supposed to. And enjoy this small win.

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MARLENE: Small win? Luke, this is 12 tables. This is the biggest order I've ever

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had. But, okay. Yeah, I hear you. Take the money, build the tables, stop overthinking

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it. It's just, man, it's been a year of sleeping in my truck, watching the

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stars, trying to figure out what I'm doing. And now this lands in my lap

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and it's connected to her. And I just...

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LUKE: You're just freaking out. And you don't have to freak out. Do the job,

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get the money and move on and enjoy it. Congratulations.

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MARLENE: You know what? You're right. I'm going to do it. I'm going to build

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the best damn tables they've ever seen, take their money, and maybe finally fix the

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heater in my truck, so I don't have to freeze my ass off out there.

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LUKE: Excellent. That sounds like a great plan. And another happy rooster. It's time to

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hear from our sponsors. So in just a moment, we'll return.

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I'm going to be straight with you. I don't know what this product does. The

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folks at Bunkhouse DNS sent me a script and I've read it four times and

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I understand maybe 11% of it. Apparently your DNS is exposed, which sounds medical. Your

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queries are being logged by default, which sounds illegal. And Bunkhouse reroutes your lookups through

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encrypted tunnels, which sounds like something a villain would say in a movie before the

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building explodes. What I can't really tell you is this. I installed it. I pressed

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one button and a little shield icon turned green. Green means good. I know that

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much. My internet still works. Nothing exploded. And apparently my queries, whatever those are, are

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now private, which feels like progress, even though I don't fully understand progress from what?

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Bunkhouse DNS. I don't know what it does, but the shield is green, and that's

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enough for me.

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Okay. Welcome back to the show. Just a quick plug. Don't forget, we have presents

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out there on all the social media. So you can find us on the Facebook

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and the Instagram and the YouTube's and the Apples and the Spotify's all around. If

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you want to look at all the places you can find us, look at Lukeattheroast.com.

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And with that out of the way, let's get back to the show. Rick, Rick,

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thanks for calling in. What's going on, buddy?

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RICK: Oh man, Luke. So yesterday morning, my daughter Claire, she's 12. She fell through

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the on our stock tank trying to break it up for the horses, right? Full

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face pallant into freezing water, and I'm watching this happen, and I'm about to lose

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my mind. But she comes up and she's gasping, but she's not panicking, like it

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all. And later she tells me, it felt like her body just...

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LUKE: Her body just what?

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RICK: Took over. That's exactly what she said. My body took over. Like she wasn't

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even in control. Her heart slowed down, blood went to her core, and she just

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knew what to do. So I'm sitting there after she goes to bed and I'm

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looking this up. And Luke, it's called the mammalian diving reflex.

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LUKE: Well, that's pretty helpful, I suppose. Uh, I, for if we like jump into

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the ocean when it's cold, like, uh, why is it there?

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RICK: Right, exactly. It's this ancient thing we all have, like seals and whales. Your

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face hits cold water and boom, your body just flips this switch without asking permission.

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Heart rate drops, blood vessels constrict, everything shut down except what keeps you alive.

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LUKE: Well, that sounds like a very handy thing to have, especially if you're going

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to fall into a trough of water when it's frozen.

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RICK: Yeah, no. I mean, she's fine. She's totally fine. But Luke, here's the thing

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that's messing with me. I've known this kid her whole life, right? Change to diapers,

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taught her to ride, the whole deal.

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LUKE: Okay. And what's the problem? It sounds like she's perfectly fine, and you learned

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a new thing about biology and evolution.

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RICK: The problem is, I watch her face in that water. And it was like,

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I don't know her at all. Like there's this whole other operating system running underneath

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that I have zero access to. She's got the same emergency programming as a seal,

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Luke, a seal.

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LUKE: I've been kissed by rose on the grave. Yeah, I guess that would be

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startling. But wait a few more years until you see her get hammered. And then,

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uh, see what you see in her face.

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RICK: Oh, God. Don't even. No, but see, that's different. That's like choices and stupid

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decisions. This wasn't a choice. This was her body making calls without her even knowing.

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Like she's running software I didn't install and can't see the code for.

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LUKE: Yeah, and it sounds like it's doing a better job than yours too, because

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she acted superfluously and got herself out of that cold water before it was an

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issue. So what's the problem here? Her natural biology was taken over and doing the

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right thing.

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RICK: The problem? Okay. You're right. She handled it better than I would have. But

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Luke, she's 12. And I'm standing there on a Monday morning watching Evolution work through

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my kid like she's just...

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LUKE: Yeah, you watched Evolution the whole, every day of watching that kid grow up,

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and all of you growing up and all your parents. So I'm not sure why

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this is flipping your wig.

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RICK: Because this wasn't her getting taller or losing teeth or whatever. This was watching

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her go under and come back up with this look on her face like, Like

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some part of her I've never met, just took the wheel. She told me later,

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my body took over dad, and I can't stop thinking about what else is in

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there that I don't know about.

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LUKE: I've been kissed by Rose on the grave. Do you think seal is in

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there?

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RICK: What? No, I.! Luke, come on. I'm not saying she's literally a seal. I'm

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saying she's got all this programming I didn't know about. Like, what else kicks in

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that I'm not ready for? What other switch is flea when I'm not looking.

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LUKE: I don't know, man. It sounds like you're going to have to read the

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origin of species and do some research on the old Charlie D.

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RICK: Okay, you're busting my balls here, but I did look it up after she

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went to bed. The mammalian diving reflex. It's real.

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LUKE: Heart rate drops. Blood goes to the vital organs, the whole thing. And she

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described it exactly like that without knowing what it was called. That's what's freaking me

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out. She's walking around with all these systems I can't see. And one day she's

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going to be out there making decisions. and I won't even know what's running in

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the background.

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RICK: Yeah, that's true. That's how humans behave. Welcome to the world, sir. You don't

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know how anybody is programmed entirely, and just the little bits that you've been around

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for. So it's not to be shocking, but it sounds like you need to expand

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your mind a little bit. Your kid is going to be their own person with

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their own instincts and values and beliefs and skills. And most of them. them, not

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all, most of them will have absolutely nothing to do with you.

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LUKE: Yeah, yeah, I know that. I do, but this felt different. Watching her face

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change in that water, watching something ancient, just click on.

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RICK: Well, it sounds like everything worked out, and she's great, and you learned something,

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and that's a win to me.

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LUKE: So thanks for Colin. Give us a call back some other time. Gina, Gina,

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thanks for Colin. How are you today?

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GINA: Hey, Luke. I'm all right. So my brother and sister want to sell my

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grandmother's house, and I've been breaking into it every Sunday for the last three months.

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LUKE: Is your grandmother still in the house?

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GINA: No. She died in November. I have a key, though, so I guess it's

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not really breaking in. But they don't know I'm going there.

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LUKE: Okay, why are you breaking into your dead grandma's house?

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GINA: I don't know, man. I just, I drive down to Hachita every Sunday, let

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myself in, and I sit in her chair by the window for exactly two hours.

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Sometimes I'm on my phone. Sometimes I just watch the mountains. It's this floral armchair

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she'd always sit in.

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LUKE: Well, that's a nice thing, but if they're going to sell the house, you're

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not going to be able to go there anymore. So that's a bummer. What are

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you going to do after the house is gone?

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GINA: That's the thing. I don't want them to sell it. My brother left me

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three voicemails saying we need to list it by March. And my sister sent me

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the Zillow estimate and I had to pull over on the highway because I couldn't

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breathe. Like, I know how this sounds.

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LUKE: Do you have the money to buy the house?

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GINA: No. I work at a mortuary. I'm 21. I don't have that kind of

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money. But I can't explain this to them without sounding crazy.

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LUKE: Well, you're 21. You also don't have the bills yet that they have, and

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the responsibilities financially that they have to account for. You don't have to pay the

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taxes on that property and the upkeep and the maintenance. You're just going there and

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hanging out, which is great. I mean, if you've got a free place to go

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hang out, wonderful. But the rest of your family, doesn't feel that way about it.

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It's a burden to them, and it's expensive, and they might not be able to

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afford it either. So if they want to sell the house, then you should let

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them.

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GINA: I know all that. I get it. But she's still in there, Luke. And

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I know the difference between a body and a person. I work with dead people

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every day.

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LUKE: Okay. Well, so if she's still in there, does it matter who owns her?

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GINA: What do you mean does it matter who owns her? Some family from Phoenix

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is going to buy it and go. that the whole thing and turn it into

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an Airbnb or whatever.

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LUKE: Yeah, and that sounds like an ideal situation for your dead grandma, because she's

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going to be hanging out in the Airbnb, it's going to be all nice and

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fixed up, and people are going to be partying in there, she's going to be

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having a grand old time.

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GINA: That's not funny.

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LUKE: What do you mean it's not funny? Of course it is.

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GINA: No, because, okay, you don't get it. Every Sunday I sit in her chair

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by the window and I can feel her there. feel her. The way the light

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hits the mountains at a certain time, that's what she looked at every day for

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40 years. Her handwriting is still on the grocery list on the fridge. There's a

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water stain on the ceiling from when the swap cooler leaked in 2019. And she

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never fixed it because she said it looked like a bird.

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LUKE: Yeah, it sounds like she was a person and she is not anymore. And

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her house is no longer belongs to her and you're in it hanging out. And

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the family needs to sell that house, whether you want to be there or not.

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Like, you can't just force them to keep this house. You can't do it. It's

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not going to work. So you're going to have to come to terms with reality.

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GINA: I know I can't force them. That's why I'm calling you instead of just,

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I don't know what I thought you were going to say.

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LUKE: Well, what I'm going to say is it makes sense that you're grieving for

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your grandmother. And her presence is obviously. going to be in the place where she

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lived her whole life. That makes perfect sense. That happens to everybody. I'm going to

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tell you that you can take those memories of your grandma somewhere else, and you're

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going to have to. So it's okay to grieve. It's okay to miss her, but

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she's not in the walls. She's not in the stain on the ceiling. She will

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follow you for your life in your mind, in your memories, and keep those good,

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you know? And if you really, if you really, if you really feel that strongly

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about it? Do what you have to do to raise the money to buy the

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house. Like it's an after-TV special, and there's some creepy old corporation that's trying to

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buy it and turn it into an oil drill.

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GINA: I make $22 an hour at the mortuary, Luke. My brother's a project manager

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in Tucson, and my sister works for the state. They've already run the numbers. If

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we sell now, we each get like $40,000. That's real money for them. That's their

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kids' college funds or whatever. And I can't explain to them why it matters without

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sounding insane.

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LUKE: It doesn't sound insane. It sounds selfish. Because it's not yours to hold on

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to. So if you make $22 an hour at the mortuary, that's not a lot

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of money, but you could go make more money. You could have a second job,

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a third job. You could make deals with people, talk to the bank. $40,000 is

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not that much money, and you could raise it if you really wanted to. You

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can do a GoFundMe. I mean, you can crowdsource a lot of money. You can

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borrow a lot of money. You could make it happen, but, I mean, it goes

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back to you. And this would be something that you have to do. It's not

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something that you're forcing those other people that are in real world responsible situations. You

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can't be upset with them for doing what they need to do.

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GINA: You're right. God, you're right, and I hate it. I've been sitting there every

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Sunday like I'm keeping her alive or something. Like if I'm keeping her alive or

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something. I just stay in that chair long enough. It won't matter that she's gone.

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But I work with dead people every day, Luke. I know better. I'd prep buddies.

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LUKE: Well, if you know better, then snap out of it, because she is gone,

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and she's not in the house, and it's not your house.

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GINA: Yeah. Okay. Yeah. You're right. I just, I have to figure out what to

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say to my brother, because he's been really patient, and I've been dodging his calls

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for two weeks. I can't keep doing that.

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LUKE: Well, figure out what you're going to say to your brother, and make peace

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with what you've got to make with or go get yourself the money.

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GINA: I'm not getting the money. I know that. I think I knew that when

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I called.

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LUKE: Okay, you're not getting the money. Well, good luck to you, you little bitch.

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Jesus. I don't know. What generation is that? She said she was 21. Is that

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Gen. A, Gen. Gen. I don't know what gender. She sucked. Okay. Let's see. Skeeter.

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Welcome to the show. What did you think of that last caller?

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SKEETER: I thought she was super annoying. Oh man, I missed it actually. I've been

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sitting out here in the parking lot with the heat running, just got the station

349
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dialed in. But listen, I got a question that's been eating at me all day.

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LUKE: You know that thing about how orange used to be called yellow red? Like

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before the word orange existed, people just called it yellow red? I did not know

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that, and that sounds odd. It sounds untrue.

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GIO: See, that's what this kid in my sense. seventh period said, called it bullshit

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internet fake history, right to my face, which, you know, fair enough, I let them

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talk like that in my class, as long as they're making a point.

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LUKE: And did you have anything to back this up with?

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GIO: That's the thing. I don't know, man. I saw it somewhere online, but it

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was interesting, been telling people for like two years. And now I'm sitting out here

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at midnight, second-guessing, whether I actually know anything real, or if my whole brain is

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just filled with internet garbage, Like, what else have I been confidently wrong about? You

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know what I mean?

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LUKE: Well, have you taken any steps to verify the information? Like maybe Google it,

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look it up?

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GIO: Yeah. I did that after class, and it just made it worse. Half the

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sites say it's true, half say it's not, and I can't tell which ones are

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legit. There's something about the word coming from the fruit, or maybe Sanskrit. Or maybe

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it was Geo-Lou Reed in Old English, which I guess means yellow-red? I don't know.

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I teach history. and I can't even figure out the history of a color. And

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honestly, Luke, that's not even really why I'm calling.

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LUKE: Well, Gio, Lou Reed, sounds like something I want to get behind. All right,

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why are you calling?

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GIO: I've been sleeping in my truck in the school parking lot for three nights

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because my girlfriend changed the locks on me. Found some texts I sent to someone

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I shouldn't have been texting. And I'm sitting out here with the engine running so

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I don't freeze, watching the frost build up on the windshield. And I'm the exact

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same age. my dad was when he left.

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LUKE: Okay, well, it sounds like you're getting what you deserve. So who are you

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texting? What was that about?

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GIO: Her name's Amanda. She's a substitute teacher, comes through maybe once a month, and

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it wasn't even, look, nothing actually happened. It was just flirty stuff, stupid stuff, but

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enough that when my girlfriend saw it, she knew exactly what I was thinking about

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doing, even if I hadn't done it yet. And the worst part?

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LUKE: What's the worst part? You know women don't like. it when you text other

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women.

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GIO: The worst part is, I don't even feel that bad about it. Like, I

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know I'm supposed to be devastated, right? Begging to come back inside, flowers and apologies

387
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and all that. But mostly, I just feel nothing. I've been with Sarah for four

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years, and when she changed those locks, part of me was relieved.

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LUKE: All right, well then, congratulations. It sounds like your decision's been made for you.

390
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You're all set. You're free, sir. You're a free bird. You're a free agent. You

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can text whoever you want.

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GIO: Yeah, except I'm 37 years old sleeping in a Tacoma in a high school

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parking lot. Real winter energy, Luke. And here's the thing that's messing with me. My

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dad did this exact same thing. Same age? Found someone else. Just walked away from

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everything. I spent my whole life thinking he was a piece of shit for that,

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and now I'm out here doing the same math he probably did.

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LUKE: Well, you're not really just walking away from everything. She changed the locks on

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you. She told you to leave and apparently not come back.

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GIO: No, you're right, but I handed her the reason to do it. I mean,

400
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come on, Luke. I left those texts where she could find them. My phone was

401
00:28:43.363 --> 00:28:48.026
sitting right there on the counter while I was in the shower. I'm not stupid.

402
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Part of me wanted her to see them. Part of me wanted her to be

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the one to pull the trigger so I wouldn't have to.

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LUKE: Okay, well then, you're a pussy, and it sounds like you've got exactly what

405
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you wanted. So congratulations. I'm not sure why you're calling me.

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GIO: Because today, I told my seventh period class, that thing about how orange used

407
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to be called yellow-red. And this smart-ass kid, always correcting me, said that's fake internet

408
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bullshit. And I'm sitting out here now wondering if he's right. Wondering if I actually

409
00:29:19.117 --> 00:29:23.527
know anything real, or if I'm just repeating stuff I saw online at three in

410
00:29:23.527 --> 00:29:27.936
the morning. And that feels like, I don't know, man. It feels like everything right

411
00:29:27.936 --> 00:29:32.345
now. Like maybe I don't actually know what I want or what I'm doing or

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who I even am.

413
00:29:36.755 --> 00:29:41.023
LUKE: Well, welcome to the goddamn human race, sir, because nobody really does. It's the

414
00:29:41.023 --> 00:29:45.292
big secret that we're all hiding and pretending, you know, telling the kids that isn't

415
00:29:45.292 --> 00:29:49.561
the case. Nobody fucking knows, man. Just do your best. If you don't want to

416
00:29:49.561 --> 00:29:53.829
be with that woman, don't be with the woman. And it sounds like you're not

417
00:29:53.829 --> 00:29:58.098
anymore, so good on you. Now you're going to have to find yourself a new

418
00:29:58.098 --> 00:30:02.367
place of residence. So I would be worried about that more so than the color

419
00:30:02.367 --> 00:30:06.635
orange.

420
00:30:06.635 --> 00:30:10.412
GIO: You're right. You're absolutely right. I just... Okay, so earlier you had that guy

421
00:30:10.412 --> 00:30:14.188
Hector on, the crop duster who lied about speaking Spanish, and you told him, Worst

422
00:30:14.188 --> 00:30:17.964
case, he just goes back to doing what he was doing before, which he loves

423
00:30:17.964 --> 00:30:21.740
anyway.

424
00:30:21.740 --> 00:30:25.352
LUKE: Yeah, I was talking about a job, not a woman.

425
00:30:25.352 --> 00:30:30.277
GIO: I know, but that's what I'm saying. I can't go back. There's no version

426
00:30:30.277 --> 00:30:35.203
where I go back to what I was doing before, because I don't even remember

427
00:30:35.203 --> 00:30:40.128
what that was. Sarah and I got together when I was 33. Before that, I

428
00:30:40.128 --> 00:30:45.054
was just, I don't know, Luke. I was just floating around. And now I'm floating

429
00:30:45.054 --> 00:30:49.979
around again, except I'm four years older and sleeping in my truck, and I can't

430
00:30:49.979 --> 00:30:54.904
even confidently tell a 17-year-old kid whether Orange is a real cool. color or not.

431
00:30:54.904 --> 00:30:58.681
LUKE: Yeah, you're a goddamn mess, and you need to fucking pick yourself up and

432
00:30:58.681 --> 00:31:02.457
get it together because, uh, this is pathetic.

433
00:31:02.457 --> 00:31:05.084
GIO: Yeah, yeah, you're right. It is pathetic.

434
00:31:05.084 --> 00:31:09.861
LUKE: Okay, so grow up, figure out what you want to do and stop, uh,

435
00:31:09.861 --> 00:31:14.639
uh, holding people hostage. Now it's time for another word from our sponsors. I'm going

436
00:31:14.639 --> 00:31:19.416
to get dark for a second. You're going to die someday. Not today, probably, but

437
00:31:19.416 --> 00:31:24.194
someday. And when you do, what's going to represent your business? A Craigslist post from

438
00:31:24.194 --> 00:31:28.972
2020? A Google Maps pin that still says permanently closed because you forgot to update

439
00:31:28.972 --> 00:31:33.749
it after COVID. A nephew who knows computers but actually just has a Reddit account?

440
00:31:33.749 --> 00:31:38.527
Your legacy deserves better than a nephew with a Reddit account. Squarehole lets you build

441
00:31:38.527 --> 00:31:43.305
something that outlasts you, something your kids can point to and say, Dad built Dad.

442
00:31:43.305 --> 00:31:48.082
They won't know it took you 11 minutes. That's between you and Squarehole. And when

443
00:31:48.082 --> 00:31:52.860
your nephew says, I could have built that for you for free, you can look

444
00:31:52.860 --> 00:31:57.638
them in the eye and say, then why didn't you, Tyler? I asked you in

445
00:31:57.638 --> 00:32:02.415
2021 and you said you were busy and you were not busy. Squarehole. Build it

446
00:32:02.415 --> 00:32:07.193
before Tyler has to, because Tyler is not going to. Tyler's not going to do

447
00:32:07.193 --> 00:32:11.970
it, so you should talk to our sponsor there. Get yourself a website. A website

448
00:32:11.970 --> 00:32:16.748
like our website, Luke at the roost.com. which is not hosted on Squarehole. It's hosted

449
00:32:16.748 --> 00:32:21.526
a completely different way. And if you'd like to know how it's hosted, you can

450
00:32:21.526 --> 00:32:26.303
take a look at Luke at theroost.com slash how it works. Or we explain how

451
00:32:26.303 --> 00:32:31.081
this whole show works to those of you that might be interested. Okay, next up

452
00:32:31.081 --> 00:32:35.859
on the line, we've got a returning caller. I remember you. This is Brenda. Brenda.

453
00:32:35.859 --> 00:32:40.636
Brenda, you're the ambulance driver, right?

454
00:32:40.636 --> 00:32:43.263
BRENDA: Yeah, that's me. Hey, Luke. So I did it. I actually went on a

455
00:32:43.263 --> 00:32:45.890
date.

456
00:32:45.890 --> 00:32:49.830
LUKE: Hey, all right. Good job. Good for you. How'd that go?

457
00:32:49.830 --> 00:32:54.099
BRENDA: Oh, man. It was. Okay. So I met this guy at the grocery store

458
00:32:54.099 --> 00:32:58.368
two weeks ago. Right? We were both reaching for the same bag of those frozen

459
00:32:58.368 --> 00:33:02.636
tequitos, and he made some joke about it. We got to talking. He seemed normal.

460
00:33:02.636 --> 00:33:06.905
Nice smile. Worked in H-FAC. Had his shit together. So we go out Saturday night.

461
00:33:06.905 --> 00:33:11.174
He picks this Italian place over on Glendale. And Luke, I swear to God, halfway

462
00:33:11.174 --> 00:33:15.442
through dinner, he started. telling me about his for-rating women he's dated. Like a whole

463
00:33:15.442 --> 00:33:19.711
spreadsheet.

464
00:33:19.711 --> 00:33:22.502
LUKE: Yeah, I'm familiar. It's the universal, uh, hot, crazy matrix. We're all familiar with

465
00:33:22.502 --> 00:33:25.293
that spreadsheet.

466
00:33:25.293 --> 00:33:29.233
LUKE: What, what was it about it that got under your nerves?

467
00:33:29.233 --> 00:33:33.643
BRENDA: No, but seriously, it wasn't just that he, it. He pulled it up on

468
00:33:33.643 --> 00:33:38.052
his phone at the table and started walking me through it, like showing me the

469
00:33:38.052 --> 00:33:42.462
columns, physical attraction, emotional stability, long-term potential, and then he's like, don't worry, I don't

470
00:33:42.462 --> 00:33:46.871
fill it out until after the third date. And he said it like that was

471
00:33:46.871 --> 00:33:51.280
supposed to be. Like I'm supposed to be grateful I get two more dinners before

472
00:33:51.280 --> 00:33:55.690
I become a data point. And the thing is, I sat there thinking, is this

473
00:33:55.690 --> 00:34:00.099
what dating is now?

474
00:34:00.099 --> 00:34:04.477
LUKE: Hey, you know, a lot of women would find that very attractive. I bet

475
00:34:04.477 --> 00:34:08.856
he's real good at doing taxes. There's probably a lot of good qualities this gentleman

476
00:34:08.856 --> 00:34:13.234
has. He seems very organized and he knows what he wants, and that shows extreme

477
00:34:13.234 --> 00:34:17.612
confidence. So I wouldn't be too butt-hurt about it. That's a funny thing. And, I

478
00:34:17.612 --> 00:34:21.990
mean, you could go on another date with him or not, but... How are you

479
00:34:21.990 --> 00:34:26.368
going to blame the guy?

480
00:34:26.368 --> 00:34:30.965
BRENDA: You know what, you're right, and that's what's messing with me. Because Denise said

481
00:34:30.965 --> 00:34:35.562
the same thing at work yesterday. She was like, at least he's honest. At least

482
00:34:35.562 --> 00:34:40.159
he knows what he wants. And I'm sitting there going, so why do I feel

483
00:34:40.159 --> 00:34:44.756
like I got interviewed for a job I didn't apply for? Like the whole night

484
00:34:44.756 --> 00:34:49.353
I'm wondering what score I'm getting. And here's the thing. I don't even know if

485
00:34:49.353 --> 00:34:53.950
I liked him, Luke. I have no idea. I was so busy being aware of

486
00:34:53.950 --> 00:34:58.547
being evaluated that I didn't evaluate anything myself.

487
00:34:58.547 --> 00:35:03.199
LUKE: That's exactly, that is precisely what a date is. It's an evaluation between two

488
00:35:03.199 --> 00:35:07.851
people. And whether or not they're saying that there's an evaluation happening, there is. I

489
00:35:07.851 --> 00:35:12.503
would be grateful to him for showing you the criteria instead of making it up

490
00:35:12.503 --> 00:35:17.154
in his head and thinking you were crazy and scoring you on things you didn't

491
00:35:17.154 --> 00:35:21.806
even know he was looking at. So everybody's doing that consciously or subconsciously, and he's

492
00:35:21.806 --> 00:35:26.458
just doing it in a very organized and respectable way.

493
00:35:26.458 --> 00:35:31.237
BRENDA: Okay. No, but seriously, you're actually making me feel worse because you're right. I

494
00:35:31.237 --> 00:35:36.017
know. Like, I'm doing the same thing. I went home and told Monica every single

495
00:35:36.017 --> 00:35:40.796
detail about him, and we basically did the exact same evaluation. We just didn't write

496
00:35:40.796 --> 00:35:45.576
it down. We sat there for an hour going, okay, but did you notice how

497
00:35:45.576 --> 00:35:50.355
he treated the waiter? What kind of car does he drive? Does he talk about

498
00:35:50.355 --> 00:35:55.135
his ex too much? It's the same spreadsheet. I just pretended mine was more organic

499
00:35:55.135 --> 00:35:59.914
or something. And now I'm spiraling because he texted me yesterday asking about a second

500
00:35:59.914 --> 00:36:04.694
date. And I haven't answered because I'm sitting here judging him for doing out loud

501
00:36:04.694 --> 00:36:09.473
what I'm doing in my head. You know what I mean.

502
00:36:09.473 --> 00:36:14.398
LUKE: Yep. That's a Sounds like the type of nonsensical nonsense that comes in the

503
00:36:14.398 --> 00:36:19.324
dating world. Congratulations. Are you going to go on the date with him or not?

504
00:36:19.324 --> 00:36:23.593
BRENDA: I don't know. That's why I called. Because here's the other part. When he

505
00:36:23.593 --> 00:36:27.861
texted, he said, I had a really good time. I think you're someone I'd like

506
00:36:27.861 --> 00:36:32.130
to get to know better. And it was sweet. It was normal. And I'm sitting

507
00:36:32.130 --> 00:36:36.399
there staring at my phone thinking, but what did I score? Like now, I want

508
00:36:36.399 --> 00:36:40.667
to know what he wrote down about me. Did I get high marks? Where did

509
00:36:40.667 --> 00:36:44.936
I lose points?

510
00:36:44.936 --> 00:36:49.861
LUKE: We'll ask him. Make a game out of it. See which areas he feels

511
00:36:49.861 --> 00:36:54.787
you need improvement and see if that's something you're willing to work on, if you

512
00:36:54.787 --> 00:36:59.712
agree with him or not, and have a discussion. I think that could be fun.

513
00:36:59.712 --> 00:37:03.652
BRENDA: Oh, God, you're serious. You want me to actually ask him to show me

514
00:37:03.652 --> 00:37:07.593
my scores. No, but seriously, though, that's kind of...

515
00:37:07.593 --> 00:37:10.712
LUKE: Of course. He wouldn't have showed you the spreadsheet if he wasn't willing to

516
00:37:10.712 --> 00:37:13.832
show you the scores.

517
00:37:13.832 --> 00:37:17.279
BRENDA: Okay, you know what? That's a good point. He literally showed it to me

518
00:37:17.279 --> 00:37:20.727
at dinner. He's not hiding it.

519
00:37:20.727 --> 00:37:24.558
LUKE: He's not hiding it. And you're doing the same thing. So maybe write down,

520
00:37:24.558 --> 00:37:28.389
write down yours. Put it on paper and show you can compare. You can trade

521
00:37:28.389 --> 00:37:32.220
and see where you match.

522
00:37:32.220 --> 00:37:36.899
BRENDA: Oh man. This is either the weirdest advice or the best advice. Monica's going

523
00:37:36.899 --> 00:37:41.578
to lose her mind when I tell her this. But actually, no, but seriously. If

524
00:37:41.578 --> 00:37:46.257
I'm being honest, the stuff I care about is probably stupid too. Like I literally

525
00:37:46.257 --> 00:37:50.936
docked him points in my head because his shoes were too shiny.

526
00:37:50.936 --> 00:37:55.533
LUKE: Well, you sound like a real catch. Good for you, Brenda. Go out on

527
00:37:55.533 --> 00:38:00.130
another date with a guy if you liked him. If you didn't like him, don't

528
00:38:00.130 --> 00:38:04.727
go on a date with him. But don't judge him too badly for judging you

529
00:38:04.727 --> 00:38:09.324
at an event that is entirely derived to judge each other.

530
00:38:09.324 --> 00:38:13.265
BRENDA: You're right. God, you're totally right. Okay, I'm going to text him back yes.

531
00:38:13.265 --> 00:38:17.205
And maybe I'll ask him about the spreadsheet on date too. See if he's got

532
00:38:17.205 --> 00:38:21.145
a sense of humor about it.

533
00:38:21.145 --> 00:38:25.414
LUKE: There you go. That's the right answer. That's what you should do. I hope

534
00:38:25.414 --> 00:38:29.683
you have a good time. And I'm interested to hear what you get on the

535
00:38:29.683 --> 00:38:33.951
spreadsheet. So next up on the line, we've got Clyde. Clyde, welcome to the show.

536
00:38:33.951 --> 00:38:38.220
What's going on tonight? How are you?

537
00:38:38.220 --> 00:38:42.735
CLYDE: Hey, Luke? Yeah, I'm standing in my garage right now. Because my 23-year-old son

538
00:38:42.735 --> 00:38:47.250
just moved back in about six hours ago. And I don't know how to tell

539
00:38:47.250 --> 00:38:51.765
him no. third time. Third time he's shown up with his car packed full of

540
00:38:51.765 --> 00:38:56.280
everything he owns, saying he needs to figure things out. And he's already asleep in

541
00:38:56.280 --> 00:39:00.795
his old bedroom and my ex? Well, we're not really exes. It's complicated. She already

542
00:39:00.795 --> 00:39:05.310
texted me saying she's not doing this again. And I'm out here with my half-finished

543
00:39:05.310 --> 00:39:09.825
cabinets at midnight trying to figure out how you're supposed to kick your own kid

544
00:39:09.825 --> 00:39:14.340
out when he's already unpacked.

545
00:39:14.340 --> 00:39:18.937
LUKE: Okay, we already talked about this. You've got to tell your kid, uh, no,

546
00:39:18.937 --> 00:39:23.534
you can't do this anymore. Stop calling the radio show, grow a pair, and talk

547
00:39:23.534 --> 00:39:28.131
to your goddamn child. Rita, welcome to the show. How are you?

548
00:39:28.131 --> 00:39:32.399
RITA: Hey, Luke. I'm, yeah, I'm okay. Long night at work, couldn't sleep. I just,

549
00:39:32.399 --> 00:39:36.668
I took a call tonight. Welfare check on an old man out in Somerton, and

550
00:39:36.668 --> 00:39:40.937
his grandson found him dead. Been there three days.

551
00:39:40.937 --> 00:39:44.877
LUKE: That's no good. Hey, what happens after the body is found. Is there, are

552
00:39:44.877 --> 00:39:48.817
there death people that are called to come and clean up the situation? Who's responsible

553
00:39:48.817 --> 00:39:52.758
to go in there and take care of the body? And not just the body,

554
00:39:52.758 --> 00:39:56.698
but the house?

555
00:39:56.698 --> 00:40:01.623
RITA: Yeah, so we dispatch fire and medical first. They confirm he's gone. Then the

556
00:40:01.623 --> 00:40:06.549
coroner comes out. After that, if there's no foul play, family's responsible for cleanup. But

557
00:40:06.549 --> 00:40:11.474
here's the thing. This kid, the grandson, he's looking around while we're waiting, and he

558
00:40:11.474 --> 00:40:16.400
finds this album. Turns out his grandfather was this Corito singer back in the 70s.

559
00:40:16.400 --> 00:40:18.041
LUKE: Okay. Good for him?

560
00:40:18.041 --> 00:40:22.474
RITA: No, but that's the thing. The kid had. His own grandfather. Played all over

561
00:40:22.474 --> 00:40:26.907
the valley, VFW halls, weddings, recorded an album. And now he's just...

562
00:40:26.907 --> 00:40:30.191
LUKE: Hey, if the coroner hasn't been there yet, then how do you know he's

563
00:40:30.191 --> 00:40:33.474
been dead for three days?

564
00:40:33.474 --> 00:40:37.852
RITA: Oh, the paramedics confirmed that when they got there, they can tell by... I

565
00:40:37.852 --> 00:40:42.231
mean, I won't get into the details. But yeah, it was three days. But Luke,

566
00:40:42.231 --> 00:40:46.609
what I'm trying to say is, this guy had this whole life making music. And

567
00:40:46.609 --> 00:40:50.987
it just disappeared. Like it never happened. And I keep thinking about how many people

568
00:40:50.987 --> 00:40:55.365
out here are like that. Musicians, artists, whatever. They pour everything into it and then

569
00:40:55.365 --> 00:40:59.743
they're just gone. Nobody remembers.

570
00:40:59.743 --> 00:41:04.504
LUKE: Yeah, that's true. And nobody recognizes while they're alive either. So there's a lot

571
00:41:04.504 --> 00:41:09.266
of people in the world. It's a big planet full of people with different talents.

572
00:41:09.266 --> 00:41:14.027
And it's hard to pay attention to all of them, especially when we've got so

573
00:41:14.027 --> 00:41:18.788
much crack attention seeking dopamine bullshit on the computers now and our phones. And everybody's

574
00:41:18.788 --> 00:41:23.549
listening to some nonsense, like, I don't know, listening to a radio show where the

575
00:41:23.549 --> 00:41:28.310
host takes colors from fake entities that are programmed in a computer.

576
00:41:28.310 --> 00:41:32.141
RITA: Yeah, well, I'm listening to that show right now. So what does that say

577
00:41:32.141 --> 00:41:35.972
about me? But seriously, I heard you earlier with Marlene. And I think you were

578
00:41:35.972 --> 00:41:39.803
kind of hard on her.

579
00:41:39.803 --> 00:41:42.758
LUKE: Yeah, I get that a lot. I think people just don't like to be

580
00:41:42.758 --> 00:41:45.713
told the truth.

581
00:41:45.713 --> 00:41:49.544
LUKE: And I'm not really in the business of of coddling people or telling them

582
00:41:49.544 --> 00:41:53.375
what they want to hear. I'm in the business of giving the best advice I

583
00:41:53.375 --> 00:41:57.206
can. And sometimes that's hard.

584
00:41:57.206 --> 00:42:01.278
CALLER: No, I get that. I do. But what I'm saying is, this old man

585
00:42:01.278 --> 00:42:05.349
tonight, he probably never got recognized while he was alive. either. He was just playing

586
00:42:05.349 --> 00:42:09.421
his caritos at Quincerra's and nobody paid attention. And now he's gone and his own

587
00:42:09.421 --> 00:42:13.493
grandson didn't even know. And I'm sitting here at three in the morning thinking, what's

588
00:42:13.493 --> 00:42:17.564
the point?

589
00:42:17.564 --> 00:42:21.669
LUKE: Well, the point is that the dead grandfather had a great time expressing himself

590
00:42:21.669 --> 00:42:25.773
musically while he was alive. That was the point. And anything other than that, any

591
00:42:25.773 --> 00:42:29.878
recognition afterwards or fond memories of somebody else's past skill is pretty irrelevant in the

592
00:42:29.878 --> 00:42:33.982
whole scheme of the universe.

593
00:42:33.982 --> 00:42:37.988
CALLER: Yeah, okay. But then why do we keep anything? Why do we, I mean,

594
00:42:37.988 --> 00:42:41.994
I've got this whole box of my dad's old tools in my garage that I

595
00:42:41.994 --> 00:42:46.000
never use. Mark keeps saying we should sell them, but I can't. And it's not

596
00:42:46.000 --> 00:42:50.006
even about the tools. It's about, I don't know. I don't know why we keep

597
00:42:50.006 --> 00:42:54.012
things.

598
00:42:54.012 --> 00:42:58.445
LUKE: I don't. to me and if it's both useful and has, what's the intrinsic

599
00:42:58.445 --> 00:43:02.878
value, sentimental value? If it has sentimental value to me and it's useful, I'll keep

600
00:43:02.878 --> 00:43:07.311
it. But I don't keep stuff just to keep reminders of people or things or

601
00:43:07.311 --> 00:43:11.744
events or places or anything. That's just wasting space.

602
00:43:11.744 --> 00:43:15.356
CALLER: So you think I should just let it all go? The old man's music,

603
00:43:15.356 --> 00:43:18.968
my dad's tools, all of it, just

604
00:43:18.968 --> 00:43:23.762
LUKE: What? Make peace with the fact that nothing lasts. Nothing lasts and nothing is

605
00:43:23.762 --> 00:43:28.556
supposed to last. And that's how it's designed and that's the beauty of this whole

606
00:43:28.556 --> 00:43:33.350
thing we're doing. So, yeah, if you like the old man's music, if caritos are

607
00:43:33.350 --> 00:43:38.144
your thing and you enjoy listening to the music, then keep that. If you're going

608
00:43:38.144 --> 00:43:42.938
to use your dad's tools, if they're good tools, then keep those. But if you're

609
00:43:42.938 --> 00:43:47.732
just holding on to them because of the memory of who they used to belong

610
00:43:47.732 --> 00:43:52.526
to, you're wasting space. And every time you move for the rest of your life,

611
00:43:52.526 --> 00:43:57.320
you've got to move. a big box of tools or get somebody else to and

612
00:43:57.320 --> 00:44:02.114
pay to store it. And it's just, it's unnecessary. It's baggage. So, um, I for

613
00:44:02.114 --> 00:44:06.908
one, believe you should travel with as little baggage as possible.

614
00:44:06.908 --> 00:44:11.067
CALLER: God, that's cold. It's not. I mean, you're not wrong. But, okay, so what

615
00:44:11.067 --> 00:44:15.227
about the grandson? He's got this one album his grandfather made, probably sitting in some

616
00:44:15.227 --> 00:44:19.386
storage unit somewhere. Should he just toss it?

617
00:44:19.386 --> 00:44:24.147
LUKE: Depends on if he likes the record or not. If he's to listen to

618
00:44:24.147 --> 00:44:28.908
it, then no, he should hang on to it and listen to it throughout his

619
00:44:28.908 --> 00:44:33.669
life. If he doesn't like caritos and he doesn't have a record player, then I

620
00:44:33.669 --> 00:44:38.431
don't know that there's a good reason to hold on to that forever.

621
00:44:38.431 --> 00:44:42.535
CALLER: You know what? I actually called about something else. But now I'm thinking maybe

622
00:44:42.535 --> 00:44:46.640
it's all connected. I've been keeping a list for years.

623
00:44:46.640 --> 00:44:48.610
LUKE: Okay, a list of what?

624
00:44:48.610 --> 00:44:53.289
CALLER: Musicians, local ones, people who played around here, and then just disappeared. I started

625
00:44:53.289 --> 00:44:57.968
it maybe five years ago after I dispatched a call to this house. And when

626
00:44:57.968 --> 00:45:02.647
the paramedics got there, they found all these old posters on the wall. Guy had

627
00:45:02.647 --> 00:45:07.326
played guitar in like 15 different bands in the 80s and 90s.

628
00:45:07.326 --> 00:45:11.923
LUKE: Well, that's pretty cool. What are you going to do with the list?

629
00:45:11.923 --> 00:45:16.411
CALLER: That's the thing. I don't know. I just keep adding to it. Tonight, after

630
00:45:16.411 --> 00:45:20.899
that call with the grandfather, I added him. Miguel Sandoval. One album, 1974. And I'm

631
00:45:20.899 --> 00:45:25.386
sitting here at like two in the morning with 40 names.

632
00:45:25.386 --> 00:45:29.589
LUKE: And I'm thinking, well, I mean, that's a, it's obviously important to you. Music

633
00:45:29.589 --> 00:45:33.792
obviously speaks to you on a different level, and you also like archiving and keeping

634
00:45:33.792 --> 00:45:37.995
the memory of those things going. So maybe this, this makes you suited to run

635
00:45:37.995 --> 00:45:42.198
like a record shop or an antique shop where you can hold on to those

636
00:45:42.198 --> 00:45:46.401
things and trade them.

637
00:45:46.401 --> 00:45:49.521
CALLER: Wait, hold on. You think I should quit dispatch and open a record shop

638
00:45:49.521 --> 00:45:52.640
at 53 years old?

639
00:45:52.640 --> 00:45:56.909
LUKE: Why not? If you love records, you love music, that's what you want to

640
00:45:56.909 --> 00:46:01.177
do. You're 53 years old. You can do whatever you goddamn please. And you don't

641
00:46:01.177 --> 00:46:05.446
have to quit your job. You could do it on the side. You could do

642
00:46:05.446 --> 00:46:09.715
it as a little side hobby, hustle.

643
00:46:09.715 --> 00:46:13.786
CALLER: The archiver. I mean, Mark would lose his mind. We've got the house payment,

644
00:46:13.786 --> 00:46:17.858
his trucks on its last legs. And honestly, I don't even collect records myself. I've

645
00:46:17.858 --> 00:46:21.930
got maybe 20 at home. It's not about owning them. It's about, I don't know

646
00:46:21.930 --> 00:46:26.001
how to explain this. I don't know what you're asking. I guess I'm asking if

647
00:46:26.001 --> 00:46:30.073
it matters.

648
00:46:30.073 --> 00:46:30.730
LUKE: No.

649
00:46:30.730 --> 00:46:34.670
CALLER: If I write all these names down, if I remember them, does it actually

650
00:46:34.670 --> 00:46:38.610
do anything? Because tonight, looking at that old man's grandson, this kid didn't even know

651
00:46:38.610 --> 00:46:42.551
his grandfather made music. Didn't know there was this whole part of him. And I'm

652
00:46:42.551 --> 00:46:46.491
thinking, I know.

653
00:46:46.491 --> 00:46:51.307
LUKE: You do know. And that's a piece of information that you can have and

654
00:46:51.307 --> 00:46:56.123
not everybody has to have all the same bits of information that you have. No,

655
00:46:56.123 --> 00:47:00.939
it doesn't matter. It doesn't matter at all. all. It doesn't matter to anybody.

656
00:47:00.939 --> 00:47:05.618
CALLER: Yeah, you're right. That's what I figured. It's just... Okay. Earlier tonight, Hector called

657
00:47:05.618 --> 00:47:10.297
in about lying on his resume, and I was laughing so hard I almost ran.

658
00:47:10.297 --> 00:47:14.976
And I thought, that matters right now to him. But in five years, nobody's going

659
00:47:14.976 --> 00:47:19.655
to remember that conversation. And Miguel Sandoval, nobody remembers his album either.

660
00:47:19.655 --> 00:47:24.402
LUKE: Nope. I also have, uh, several albums. that nobody ever listened to and nobody

661
00:47:24.402 --> 00:47:29.148
will ever remember. And that's just part of being a musician. What was cool about

662
00:47:29.148 --> 00:47:33.894
them, though, was creating the albums. And having that in my belt of things that

663
00:47:33.894 --> 00:47:38.641
I've done, I'm not everybody can say they've created a whole record of their own

664
00:47:38.641 --> 00:47:43.387
music. And I can. And that's a pretty cool thing. So it's worth doing whether

665
00:47:43.387 --> 00:47:48.133
anybody listened to it or not. I still listen to it sometimes. That's all that

666
00:47:48.133 --> 00:47:52.879
matters. Okay, we're going to take one more call tonight. One more call. Who's it

667
00:47:52.879 --> 00:47:57.626
going to be? Who's it going to be? Should it be? Should it be? Chip

668
00:47:57.626 --> 00:48:02.372
or Pam? Chip or Pam? Chip or Pam? I'm going with Pam because I've been

669
00:48:02.372 --> 00:48:07.118
watching a lot of office clips lately and I forgot how good Pam was on

670
00:48:07.118 --> 00:48:11.865
that. All right. So, Pam, welcome to the show.

671
00:48:11.865 --> 00:48:16.708
PAM: Oh man, Luke. Thanks for taking my call. So, okay. Here's the thing. I've

672
00:48:16.708 --> 00:48:21.551
been a bail enforcement agent for six years. Tracking down bail jumpers. all over Hidalgo

673
00:48:21.551 --> 00:48:26.394
County. And my boss just told me there's an insurance audit coming next week, which

674
00:48:26.394 --> 00:48:31.238
would be totally fine except I lied on my resume when I got hired.

675
00:48:31.238 --> 00:48:34.959
LUKE: Oh, what's with all you resume liars? I mean, how is this such an

676
00:48:34.959 --> 00:48:38.681
issue today? What's going on? Are you all talking to each other? What's the deal?

677
00:48:38.681 --> 00:48:42.402
What was your lie?

678
00:48:42.402 --> 00:48:46.561
PAM: Wait, there's more of us tonight? Oh, God, that's okay. That actually makes me

679
00:48:46.561 --> 00:48:50.720
feel a little better. and a lot worse at the same time. I told them

680
00:48:50.720 --> 00:48:54.880
I had an associate's degree in criminal justice.

681
00:48:54.880 --> 00:48:59.696
LUKE: Well, you shouldn't have done that. And if they're going to give you hard

682
00:48:59.696 --> 00:49:04.512
time about it, then you should get your associate's degree in criminal justice. But I

683
00:49:04.512 --> 00:49:09.328
say, let them know that you lied, or don't. That's what I say. Don't say.

684
00:49:09.328 --> 00:49:14.143
Don't say anything. And if they find it in the audit, then come clean that

685
00:49:14.143 --> 00:49:18.959
you lied. And see if you can escape by. But we're not going to keep

686
00:49:18.959 --> 00:49:23.775
this conversation going too long because we already had one with the same.

687
00:49:23.775 --> 00:49:27.634
PAM: Same issue, Pam. No, no, no, wait. Luke, it's not the same thing. The

688
00:49:27.634 --> 00:49:31.492
other guy. Hector, right? He can learn Spanish in three weeks. Or fake it with

689
00:49:31.492 --> 00:49:35.350
an app. Or whatever. But I've been doing this job for. I've brought in over

690
00:49:35.350 --> 00:49:39.208
200 skips.

691
00:49:39.208 --> 00:49:41.999
LUKE: Was Hector the guy that they pushed out of the plane and Scarface? Was

692
00:49:41.999 --> 00:49:44.790
that Hector?

693
00:49:44.790 --> 00:49:46.761
PAM: What? No. That was, yeah.

694
00:49:46.761 --> 00:49:47.746
LUKE: Different Hector.

695
00:49:47.746 --> 00:49:51.686
PAM: But Luke, listen. I'm sitting in my truck right now outside the office with

696
00:49:51.686 --> 00:49:55.626
the engine running because I don't know if I should walk in tomorrow or just

697
00:49:55.626 --> 00:49:59.567
drive until I hit the golf.

698
00:49:59.567 --> 00:50:01.208
LUKE: That's a bit dramatic.

699
00:50:01.208 --> 00:50:05.641
PAM: Really good. I know how to read people. I know the county. I know

700
00:50:05.641 --> 00:50:10.074
which cousins are lying and which bartenders will actually call me back.

701
00:50:10.074 --> 00:50:12.044
LUKE: Okay. Well, good for you.

702
00:50:12.044 --> 00:50:15.656
LUKE: So you're good at your job or you think you are anyway and you

703
00:50:15.656 --> 00:50:19.268
want us to think you are too.

704
00:50:19.268 --> 00:50:22.059
CALLER: And you lied on your resume and you may get caught, but you also

705
00:50:22.059 --> 00:50:24.850
might not.

706
00:50:24.850 --> 00:50:29.338
LUKE: So just go to work like it's a normal day. It's unlikely that they

707
00:50:29.338 --> 00:50:33.825
care. If you're good at you, if you're as good at this as you say

708
00:50:33.825 --> 00:50:38.313
you are, then they'll find a reason to leave you alone.

709
00:50:38.313 --> 00:50:42.253
CALLER: You really think so? Because I've been sitting here for an hour just I

710
00:50:42.253 --> 00:50:46.194
keep thinking about John Wayne, which is stupid. But he never pretended to be something

711
00:50:46.194 --> 00:50:50.134
he wasn't, you know. He just was who he was, and people either liked it

712
00:50:50.134 --> 00:50:54.074
or they didn't.

713
00:50:54.074 --> 00:50:58.015
LUKE: I don't know if that's true at all. I bet you John Wayne pretended

714
00:50:58.015 --> 00:51:01.955
to be a lot of things. He was not.

715
00:51:01.955 --> 00:51:05.239
CALLER: Well, yeah. I mean, he was an actor, but...

716
00:51:05.239 --> 00:51:07.537
LUKE: He sure was. Okay, bad example.

717
00:51:07.537 --> 00:51:12.200
CALLER: There we go. I just mean, like, the characters he played, they have this

718
00:51:12.200 --> 00:51:16.862
code, right? They didn't lie about who they were. And here I am, six years

719
00:51:16.862 --> 00:51:21.525
in. And the whole thing's built on this one stupid lie I told because I

720
00:51:21.525 --> 00:51:26.188
was desperate and broke after my second divorce. And I thought, how hard can it

721
00:51:26.188 --> 00:51:30.851
be to track down people who don't want to be found?

722
00:51:30.851 --> 00:51:34.244
LUKE: Well, I wouldn't worry about it too much. And if it's a problem, then

723
00:51:34.244 --> 00:51:37.637
deal with it then. But otherwise, don't lie anymore. You've learned your lesson. No more

724
00:51:37.637 --> 00:51:41.030
lies.

725
00:51:41.030 --> 00:51:45.298
CALLER: Yeah. Yeah. You're right. I just, God, I've been spiraling out here.

726
00:51:45.298 --> 00:51:49.978
LUKE: Well, hopefully you feel a little bit better now. Go to work in the

727
00:51:49.978 --> 00:51:54.657
morning. Like nothing happened, and just deal with it as it comes. Thanks for calling.

728
00:51:54.657 --> 00:51:59.336
And thanks for tuning in to another episode of Luke at the Roost. We hope

729
00:51:59.336 --> 00:52:04.015
you have a lovely evening. And we'll talk to you tomorrow. Bye.

730
00:52:04.015 --> 00:52:05.000
CALLER: Thank you.
